Kathryn Hart

 
 
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"Love's Razor (Rhapsody from Tivoli)," Site-Specific Installation

Created as Artist-in-Residence in the barn studio on the Judy Pfaff compound, 2020. Love, loss, and the threshold of transformation.

Sculptures

Figurative shapes turned inside-out. The interior focus stems personal narrative and uses a private diary of objects, symbols, and alchemic materials.

Widow Bird, Site-Specific Installation

2019. Truro Center for the Arts, Truro MA. -- We are so lightly here. -- Leonard Cohen

The Hours (Night)

Silver gelatin prints and photogravure. "From the borders lost in the night, of this being and not being, something remains approaching us in the light of life." -- Pablo Neruda

The Hours (Walking)

Photography. Silver gelatin prints

Boundless Time

Photography. Pigment prints on film on aluminum. Bones mark time and transform. Life to desiccation to light filled. Symbols of decay alter into picture of rebirth. Unstaged images of found bones left to bleach in the sun for 4-6 years.

Transitional States

Caretaker Bed Outdoor Installation

Site-specific, outdoor installation created for the meadow at Truro Center for the Arts, MA. 2019. Reflecting pool, locally found objects and single sentinel tree are in symbiosis with the landscape. 20x6x12 ft. Reflecting Pool: 9 ft x 5 ft x 2 ft deep see video here: https://vimeo.com/366595575

Site-Specific Installations, Poland

Created on location in Goluchow and Myslenice. Permanently housed in Poland. Tributes to the country's and their people's heroic history. Made of original castle windows, window frames from the Communist period, and found tree trunk. 2015-2017.

Monoprints

oil relief ink

Unapologetic Presence, Wall Sculptures

"Truth lasts longer than the sun." Emily Dickinson

Ink Drawings and Paintings

OZMA, Outdoor Installation

Bones found near my Colorado studio are in stark contrast to lush Cape Cod. Bones allude to a presence and an absence. They are resilient, frail and vulnerable, the final remnants. With exposure, they become light and translucent.

Assemblage

Matter matters in these haut‑relief mindscapes, of which many are monochromatic. Their 3-D dimensions plumb the depths of a captured inner darkness, sometimes liberated with light, promise and hope.  Hart has the unique ability of being able to combine extreme strength and extreme fragility within the same frame.    Diane Root, art critic, NYC, Spring 2015
 
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